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The Woodstock Chamber Orchestra (WCO) concert series at Bard College
The Woodstock Chamber Orchestra (WCO) concert series at Bard College, presented by The Bard Center, continues on Wednesday, March 13, at 8:00 p.m. in Olin Hall. Admission to the concerts is $12 for adults, $6 for non-Bard students, and free for children 12 and under and Bard students, staff, and faculty.
The program features two works by Schumann, the "adagio espressivo" from Symphony No. 2 in C and the Concerto in A Minor for Cello, with guest artist Ashley Bathgate. Ars Choralis will join the WCO for the performance of Mozart's Vespers Solennes de Confessore, K. 339. Soloists include soprano Doris Blatter, alto Wendy Lowe, tenor Matthew Ulrich, and bass Paul Frazer. (This concert will also be performed on Saturday, March 9, at Holy Cross Church in Kingston, and on Sunday, March 10, at the Reformed Church of Saugerties.)
"The WCO continues the tradition of presenting exceptional local talent to join the orchestra with this concert," according to Luis Garcia-Renart, artistic director of the WCO. "Not only are we pleased to have the chance for talented cellist Ashley Bathgate to join us, but also the choral members and soloists of the Ars Choralis, a superb Hudson Valley chorus directed by Barbara Pickhardt."
The final concert of the 2001–02 WCO series at Bard will take place on Wednesday, May 8. This program will feature the world premiere of a work by acclaimed composer and Woodstock resident Peter Schickele. (His son, Matthew Schickele, a Bard graduate, also had an orchestral piece premiered by the WCO.) Also to be performed are Saint-Saëns's "Havanaise," Op. 83, and his "Introduction and Rondo Capricioso," with featured violinist Betty Jean Hagen (WCO concertmaster); and Beethoven's Symphony No. 2 in D, Op. 36. (This concert will also be performed on Saturday, May 4, at Holy Cross Church in Kingston, and on Sunday, May 5, at Bearsville Theater in Woodstock.)
These concerts are made possible in part with funds from the New York State Council on the Arts and through the generosity of the Homeland Foundation and the Leon Levy Foundation at Bard College.
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