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The Colorado Quartet artists in residence at Bard College

The Colorado Quartet, artists in residence at Bard College, will perform a concert at Olin Hall on Sunday, March 10, at 3:00 p.m. The program includes Mozart's String Quartet in D Major, K. 499 ("Hoffmeister"); Bartók's String Quartet No. 6; and the Schubert Cello Quintet, with guest cellist Robert Martin. The performance, presented by The Bard Center, is free and open to the public.

"Our relationship with Robert Martin goes back many years, when Diane Chaplin and I were growing up in Southern California," explains Quartet violinist Julie Rosenfeld. Martin, in addition to being an accomplished cellist, is also vice president for academic affairs and dean of graduate studies at Bard. "Robert was then the cellist of the Sequoia String Quartet and our quartets performed the Mendelssohn Octet together at the Olympic Arts Festival at the 1984 Los Angeles Summer Olympics. Eleven years later, we reestablished contact with Robert when, in his capacity as codirector of the Bard Music Festival, he invited us to play three of the six Bartók quartets at the festival that year. We have had a long and fruitful relationship with Bard ever since, and are excited that Robert has agreed to take time out of his busy schedule to play the Schubert Quintet, one of the greatest pieces of chamber music ever written, with us on this concert. To go along with that masterpiece we have the nostalgic, ironic, brooding Bartók Quartet No. 6, the last piece Bartók wrote in his native Hungary before coming to the United States, and the wonderful 'Hoffmeister' Quartet of Mozart."

The Quartet's residency at the College enables Bard students to study privately with the group's individual members—Rosenfeld and Deborah Redding, violins; Marka Gustavsson, viola; and Diane Chaplin, cello—as well as with the ensemble as a whole for both quartet and other chamber music coaching. The quartet also conducts seminars on a variety of musical topics, from those with specific quartet applications to subjects of a more universal nature.

"We are thrilled to be associated with Bard College because of both the high level of the student body and the world-class music faculty," says Chaplin. "We enjoy in-depth work not only with performers, but also with the composition department and the larger Bard community, and hope that our wealth of experience and enthusiasm will benefit the entire college."

The concert is made possible, in part, through the generosity of the Homeland Foundation and the Leon Levy Foundation at Bard College.

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