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Mackie 808S Powered Mixer (Stereo, 1200 Watts)
The whole point of a powered mixer is lots of power, right? That's why there's a real FR Series High-Current, Fast-Recovery power amp inside every PPM™ Series Powered Mixer. It's designed to run all night into brutally low impedances and sound clean even when driven hard. Mackie starts with a massive toroid transformer and 2 unusually large storage capacitors with 720 joules of energy storage capacity. In fact, the PPM power supply is so robust that it can run on as little as 80 volts at the end of a long, skinny extension cord during a brown-out. Then they add their Fast Recovery circuitry that reduces latching distortion so PPM Series mixers sound good even when driven well into clipping. Also included is an SCR crowbar circuit for speaker protection. Visit a Mackie Dealer and run a side-by-side comparison with the competition. You'll be amazed by how much louder and cleaner PPM Powered mixers sound — even when driving huge PA cabinets. Ingenious Break Switch Mutes Channels 1-6 during set breaks so you can play music (via the tape input and stereo channels 7 or 8) without having to mess up your levels, deal with feedback loops, or risk having somebody grab a mic and start spouting existentialist poetry. EFX Wide Switch When you hear the PPM Series' ultra-realistic 32-bit EMAC™ effects, you'll be impressed. But Mackie also gives you extra effects control — via dual parameter controls and with the EFX WIDE button. It psycho-acoustically adds width and/or depth to reverbs, chorus, and flange... perfect for set-ups where your speakers have to be placed close together. 75Hz Rumble Reduction 75Hz low-cut filters in both built-in 9-band equalizer sections remove microphone thumps, P-pops, and stage rumble. Sharp 18dB/octave circuitry works without cutting audible bass. 808S Powered Mixer (Stereo, 1200 Watts) Features 1200 real watts/2 ohms from twin 600-watt FR Series High-Current power amps Power amps switchable as stereo mains or main plus monitor 8 mic/line channels with master phantom power Stereo line inputs on channels 7 and 8 Inserts on channels 1-6 Active 3-band EQ and stereo pan control on each channel True stereo 9-band graphic EQ on mains 9-band graphic EQ on monitor All PPM Series Powered Mixers Feature: Rugged injection-molded chassis resists impacts that would destroy a rat-fur-covered wood box powered mixer. Built-in handle can be used by folks who don't have the foggiest idea of what injection molding is. A real Mackie Designs mic/line mixer section! Based on Mackie's world-famous MicroSeries 1202-VLZ and enhanced with new mic preamps and about a gazillion ingenious extra features. Rugged, sealed rotary controls resist dust, moisture, and other contamination. Expensive, studio-grade, 9-band program equalizers for mains and monitor that utilize multiple summing amplifiers and precision infinite feedback band-pass filters, which yield superior linear-phase and combining properties. What this means is the graphic EQs are exceptionally low-noise, low-distortion, sound great, and don't suffer from any nasty phase-shift problems. Level-setting control and LED on every PPM mixer channel — makes setting input levels a snap. Mil-spec fiberglass circuit boards (instead of cheap phenolic) resist physical impact. Amp routing switch assigns power amps to mains or mains + monitors. Hefty 10,000ĩf storage capacitors for high peak power reserves. Massive toroid transformer for high-current output. Mega-cool die-cast heat sink. One-piece die-cast heat sink is custom-cast for maximum heat dissipation and minimum car upholstery destruction. Black coating improves efficiency by 15%. Running Man figure improves coolness-factor by 150%Technical Description Mixer Section Frequency Response: Mic Input to Main Mixer Output (Trim at 0 dB): +0, -1 dB: 32Hz to 20kHz, +0, -3 dB:16Hz to 80kHz Mic Input to Power Amp Output at rated power output: +0, -1 dB: 32Hz to 20kHz, +0, -3 dB: 16Hz to 55kHz Distortion: THD and SMPTE IMD; 20Hz to 20kHz Mic Input to Main Mixer Output: Common Mode Rejection Ratio (CMRR) at 1kHz, Trim at 0 dB: 60dB Noise 20Hz-20kHz bandwidth, 150-ohm source impedance Equivalent Input Noise (EIN): -127dBu Residual Output Noise with Main Mixer, Monitor, and Effects outputs, Channel and Master levels off: -95dBu Main Mixer Output Noise with Master at nominal (-10dB), all channels off: -92dBu Main Mixer Output Noise with Master and one input at nominal (-10dB and -20dB), Trim at 0dB: -85dBu Crosstalk at 1 kiloHertz Adjacent Inputs or Input to Output: -90 dB Fader Off: -90 dB Break Switch Mute: -80 dB Input Level Trim Control Range 0 to -40dB Phantom Power +15V DC Equalization Rumble Reduction: 75hz, -18dB/octave Channel EQ High: ą15dB at 12 kHz Channel EQ Mid: ą12dB at 2.5 kHz Channel EQ Low: ą15dB at 80 Hz Graphic EQ: 9 bands, ą15dB, Q=1.414: ISO octave centers at 63 Hz, 125 Hz, 250 Hz, 500 Hz, 1 kHz, 2 kHz, 4 kHz, 8 kHz, 16 kHz Main Mixer Section Rated Output Main Mixer, Monitor, and Effects: +4 dBu Maximum Main Mixer Section Output: +20 dBu Maximum Input Levels Mic Input Trim at HI (0dB): -20dBu Mic Input Trim at LOW (-40dB): +20dBu Line Input Trim at HI (0dB): 0dBu Line Input Trim at LOW (-40dB): +40dBu Insert Input: +20dBu Stereo Line Input: +20dBu Tape Input: +20dBu Effects Return: +20dBu Power Amp In :+22dBu Input Sensitivity Minimum Input Level to produce +4dBu at Main Mixer Output Mic Input: -68dBu Insert Input: -28dBu Line Input: -48dBu Stereo Line Input: -28dBu Tape Input: -18dBu Effects Return: -18dBu Maximum Voltage Gain Mic Input to Insert Output: 40dB Mic Input to Tape Output: 60dB Mic Input to Main Mixer Output: 72dB Line Input (Mono) to Insert Output: 20dB Line Input (Mono) to Tape Output: 20dB Line Input (Mono) to Main Mixer Output: 52dB Stereo Line Input to Tape Output: 20dB Stereo Line Input to Main Mixer Output: 32dB Tape Input to Tape Output: 10dB Tape Input to Main Mixer Output: 22dB Effects Return to Main Mixer Output: 22dB Effects Return to Monitor Output: 22dB Input Impedance Mic Input balanced: 3 kilohms Insert Input unbalanced: 10 kilohms Line Input balanced: 40 kilohms Stereo Line Input unbalanced: 10 kilohms Tape Input unbalanced: 10 kilohms Effects Return unbalanced: 10 kilohms Power Amp In unbalanced: 10 kilohms Output Impedance Main Mixer Output: 150 ohms Insert Output: 150 ohms Tape Output: 150 ohms Monitor Output: 150 ohms Effects Send: 150 ohms Power Amp Out: 0.032 ohms at 1kHz Digital Effects Resolution: 32-bit EMAC internal processing, 2-channel Sample Rate: 31.25 kHz Bandwidth: 15.6 kHz VU Meters Main and Monitor, 8 segments: Clip, +5, 0, -5, -10, -15, -20, -30 Power Amplifier Section: Maximum Power at 1% THD, midband (both channels driven) 2 ohms: 600W x 600W per channel 4 ohms: 450W x 450W per channel 8 ohms: 300W x 300W per channel 2 ohms: 1200W total Continuous Sine Wave Average Output Power 40Hz to 20kHz (both channels driven at rated power) 340W per channel 4 ohms: no more than 0.15% THD 240W per channel 8 ohms: no more than 0.10% THD Power Bandwidth Frequency Response Distortion THD, SMPTE IMD 4 ohms: Signal-to-Noise Ratio Channel Separation >75dB at1 kHz Damping Factor >250dB at1 kHz Amp Input Impedance 10k ohms unbalanced, 20k ohms balanced Continuous Sine Wave Average Output Power (both channels driven at rated power into 4 ohms) 1.76V (+7.1dBu) Gain (amp in to speaker out) 26.4dB(21V/V) Maximum Input Level 9.75V (+22dBu) Rise Time Slew Rate > 40V/ĩs Load Angle 8 ohms time independent: 8 (ąjx) 4 ohms time dependent: 4 (ąjx) High Frequency Overload and Latching No latch up at any frequency or level High Frequency Stability Unconditionally stable driving any reactive or capacitive load Continuous Sine Wave Average Output Power (Capable of operation from 75% to 110% of rated line voltage) United States 120VAC: 60Hz Physical Dimensions (H x W x D): 11.7 x 20.5 x 13 in. (297 x 521 x 330 mm) Weight: 46 lbs. (14.5 kg)
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