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Pluggo 3.0 uses new Max4/MSP2 audio programming environmentCycling '74 announced Pluggo 3.0, a new version of its popular native audio processing plug-in software for VST, MAS, and RTAS audio applications.Pluggo 3 makes full use of the new and improved award-winning Max4/MSP2 audio programming environment, and includes an expanded version of the Essential Instruments collection, a set of elegant and immediately effective instruments created by MES, the developers of the iSynth-bringing the Pluggo collection to over 100 versatile and unique plug-ins. Pluggo effects include filtering, delay effects, distortion, granular synthesis and spectral modification, audio routing, sampling and synthesis, reverb, and sound localization. In addition, Pluggo offers modulation, synchronization, and audio and control routing capabilities between plug-ins. The Pluggo 3 collection includes over 19 virtual instruments, from the characteristically Midwestern self-effacement of the Pretty Good Synth, to additive synths, analog-modeling drum and percussion synths, sampling, granular synthesis, FM synthesis, wavetable synthesis, and waveshaping modules. Users can seamlessly combine these exciting new instruments with Pluggo effects plug-ins and modulator plug-ins for a world of inexhaustible sonic possibilities. For the first time, Pluggo 3 allows Max4/MSP2 users to host Pluggo plug-ins and virtual instruments in their Max/MSP patches and Max/MSP-built standalone applications. Pluggo 3 also adds support for the Digidesign® Real Time Audio Suite (RTAS) format, allowing Pro Tools users to join the Pluggo excitement already in progress. Pluggo 3 users who want to build their own plug-ins entirely from scratch can create them using Cycling '74's Max/MSP software. Support for effects automation, parameter management, presets, and undo is provided in the development environment. Pluggo 3.0 will be available March 2002. List price is $199. An upgrade for current Pluggo and Max/MSP owners is $59 Max4/MSP2 is available now from Cycling '74 for $495. Demo versions, purchases and upgrades are available online + Post comment/question/reply GEPCO Debuts New 96kHz/ Extended Distance 110 OHM Digital Audio Cables the 5596EZ and 5596M single-pair cables, and the D5596EZ dual-pair cable. All feature stranded 24 gage oxygen-free conductors insulated with Gepco's new T165 dielectric compound. Through use of these Audio Formats Audio formats like mp3, wav or wave and aiff Applied Acoustics Ultra Analog VA-1 synthesizer plugin software DXi, VST, Audio Units RTAS ms. "With Ultra Analog, we wanted to go beyond a mere copy of a vintage synth and to package this technology into a modern synth that is a highly efficient, versatile and creative studio tool. " Ernie Ball Turns up the Volume with Audiophile Bass Systems stems gear can be seen at the January 2001 NAMM show in Anaheim. Available to order are the HD-500 amplifier and the HD-210, HD-212, HD-410, and HD-610 speaker enclosures. On the horizon for Ernie Bal Universal Audio new 6176: 2-610 microphone/instrument preamplifier & 1176LN compressor ge gear," said Universal Audio Chief Analog Designer, John Hinson, "with the 6176 we allowed ourselves to add new features and take advantage of components with superior specs over the originals. For TC Works Powercore for OS X AudioUnits VST rsion for MOTU will follow later this spring. PowerCore includes an ever growing stack of rackmount-quality processing Plug-Ins right out of the box. Version 1.7 (and 1.6.1 for OS9 and Windows) ST AUDIO 24-bit 96kHz PC Audio recording systems d for high-end studio applications. Full 24-bit/96kHz data paths are supported. Multi-card sample locked cards are supported via excellent drivers compatible with Win95/98, NT, W2K, ASIO2, GSIF. Th CreamWare unveils Luna 2496 DSP High-Quality Audio Interface for Windows & Mac ). Thanks to this technology, audio driver latencies can be adjusted to a minimum of 2 msec. This makes Luna especially well suited for use with any sequencer / recording program and, of course, for u Joe Chiccarelli chooses Audio-Technica mics for his production of tim easton's new record n. Faced with the challenge of getting the open, airy sound of the drums and guitars without sacrificing the sonic definition and punch of the recording, Chiccarelli and engineer Mike Hagler chose Aud Ableton LIVE DELTA: LIVE to be bundled with M-Audio Delta Audio card uality construction, low latency, 36-bit internal mixers and unequalled driver support. "We are very happy to enter into such an exciting deal with M-Audio', says Gerhard Behles, CEO of Ableton |
0 News date: 20020216 Posted by: Musiciansnews.com Max Fender Super 250 Dynamax R (10-46) PreSonus BlueMax Compressor PreSonus Digimax Preamp BBE 362 Sonic Maximizer PreSonus DigiMAX LT 8-Channel Microphone Preamp with Digita Fender Super 250 Dynamax Series Strings for Electric Guit Rock-N-Roller R10 Max Multi-Cart (Black and Yellow) Waves MaxxBass 101 Full 19 in. Rackmount Zildjian ZXT Series Max Hi-Hats (14 in.) BBE 362NR Dual-Channel Sonic Maximizer with Noise Redu Novation ReMote Audio Xtreme Audio/MIDI Interface Yamaha AW2816 Professional Audio Workstation Edirol UA1000 10-Chanel 24/96 Audio Interface Audio-Technica Audio Technica PRO35xcW Cardioid Condenser Peterson VSAM Virtual Strobe Audio Metronome M-Audio MAudio Oxygen Tank Oxygen8 Gig Bag (Black) M-Audio MAudio Thru Box 3x8 SM Pro Audio SMProAudio OC8 8-Channel Optical Compressor Edirol UA20 USB Audio/MIDI Interface 24/44.1kHz Samson UHF Synth 32 Wireless Lavalier with Audio-Technica
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