| MusiciansNews | GuitarsMusicGear | BassMusicGear | DigitalPianosKeyboards | DrumsMusicGear | SingingSongwriting | GuitarSheetMusicTabs | DJmusicEquipment | CRMAV | LiveSoundPASystems | RecordingMixingMastering |
 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Manufacturers | Behringer Peavey Samson Yamaha Roland DigiTech River String Fender Sarulean sE Electronics Korg Ibanez Gibson Hartke Alesis Shure Boss Epiphone Mackie Zoom Akai Marshall Focusrite M-Audio Vestax SKB Silvertone Novation AKG CBI Martin Nady Fostex | |||||||||||||||||||||||||||||||||||||||||||||||
| Guitar | Bass | Drum | Piano | Keyboard | Singing | Songwriting | DJ | Recording | Artists | Music Gear | Forums | Reviews | Musicians Wanted | Chords | Sheet Music | Tabs | MIDI | |||||||||||||||||||||||||||||||
|
Shure KSM141 Multi-Pattern Microphone with Popper Stopper
The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments. KSM141 Multi-Pattern Microphone with Popper Stoppe Features A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications. Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar¬ diaphragm for superior transient response. Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion. Premium electronic components, including gold-plated internal and external connectors. Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration. 3-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs). 3-position switchable low-frequency filter to reduce background noise and counteract proximity effect. Extended frequency response Low self noise Exceptional reproduction of low-frequency sounds Can withstand high sound pressure levels (SPL) High output level No crossover distortion Uniform polar response Superior common mode rejection and suppression of radio frequency interference Applications Some typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed. Acoustic instruments such as piano, guitar, drums, percussion, strings Wind instruments brass and woodwind Low frequency instruments such as double bass, electric bass, kick drum Overhead mic'ing drums or percussion Ensembles choral or orchestral Room ambiance pick-up guitar amplifier or drums Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application. Don't Just Record. Capture. KSM Studio Condenser Microphones balance exceptional sensitivity and flexibility with unmatched durability to accurately capture the widest variety of sound sources. Finely tuned condenser cartridges give voice to each of these elegant recording microphones. KSM
|
Shure Shure KSM44SL Studio Condenser Microphone Shure KSM32 Studio Microphone Shure KSM27 Studio Cardioid Condenser Microphone Shure KSM109 Condenser Microphone with Popper Stopper Shure KSM137 Condenser Microphone with Popper Stopper Shure KSM141 Multi-Pattern Microphone with Popper Stoppe Shure Add Comment or Question Write a review!
| ||||||||||||||||||||||||||||||||||||||||||||||
Europe Gear Shop
| [Contact] [©1999-2010 Musiciansnews.com All rights reserved] [Advertising] |