| MusiciansNews | GuitarsMusicGear | BassMusicGear | DigitalPianosKeyboards | DrumsMusicGear | SingingSongwriting | GuitarSheetMusicTabs | DJmusicEquipment | CRMAV | LiveSoundPASystems | RecordingMixingMastering |
 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Manufacturers | Behringer Peavey Samson Yamaha Roland DigiTech River String Fender Sarulean sE Electronics Korg Ibanez Gibson Hartke Alesis Shure Boss Epiphone Mackie Zoom Akai Marshall Focusrite M-Audio Vestax SKB Silvertone Novation AKG CBI Martin Nady Fostex | |||||||||||||||||||||||||||||||||||||||||||||||
| Guitar | Bass | Drum | Piano | Keyboard | Singing | Songwriting | DJ | Recording | Artists | Music Gear | Forums | Reviews | Musicians Wanted | Chords | Sheet Music | Tabs | MIDI | |||||||||||||||||||||||||||||||
|
Focusrite Red 3 Dual Channel Compressor
The best thing professional engineers say about the Red 3 Dual Channel Compressor is "I know we used it but it doesn't sound like we used it". The Red 3 is another legendary Focusrite piece that has a very transparent sound due to its top-of-the-line VCA components and Class A architecture. The Red 3 employs an unusual and original single-VCA design to achieve high quality and truly independent compression and limiting, without the compromise and unnecessary processing involved in traditional designs. The success of the design is attested to by the Red 3’s TEC award for Outstanding Technical Achievement in the Signal Processing Technology category. The VCA used is a proprietary Focusrite design, fully discrete and balanced, offering superb low noise and distortion, and excellent common-mode rejection. In order to separate compression and limiting, the side-chain electronics contain three VCAs in series to generate compression and limiting control voltages which drive the main VCA. The result is true compression followed by limiting, rather than the more common characteristic of compression that turns into limiting. The sidechain electronics are class A, ensuring superb transient response. Both compression and limiting therefore, offer true peak response, not averaging RMS response. The use of such a high quality audio VCA as the only element between input and output means a very short signal path, and an ability to retain a natural, unobtrusive sound even when significant compression is being applied. Each channel has clear and identical controls, for compressor ratio, threshold, make-up gain, attack and release, and limiter threshold. A program-dependent auto-release mode is available, and the VU meters can be switched to show levels in two ranges, or gain change. In stereo mode the lower set takes control of both channels. Red 3 Dual Channel Compressor Features• Stereo switch for true stereo operation from a single set of controls• Key inputs with illuminated push-button selection • Illuminated push-button switches for compressor/limiter in/out on each channel • Precision VU metering of signal level or gain change (switched) • Can operate as a discrete channel unitTechnical Description • Input sensitivity: +4dBu • Input Impedance: 10k ohm +/- 15% (20Hz to 20kHz) • Balance: > 60dB • Frequency response: 5Hz to 200kHz (-3dB points) • Noise: Better than -80dB below +4dBu output level • • Distortion: 0.02% with input at 0dBu at 1kHz, 0.006% (+10dBu @ 1kHz), 0.004% (+20dBu @ 1kHz) • Output: +24dBm with output loaded, 600 ohm, balanced and floating
|
Focusrite Focusrite Red 1 Quad Microphone Preamp Focusrite Red 7 Microphone Preamp and Dynamic Processor Focusrite Red 8 Dual Channel Microphone Preamp Focusrite Red 3 Dual Channel Compressor • Focusrite • Add Comment or Question • Write a review!
| ||||||||||||||||||||||||||||||||||||||||||||||
Europe Gear Shop
| [Contact] [©1999-2008 Musiciansnews.com All rights reserved] [Advertising] |