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Pro Tools|HD 2 System high-definition Pro Tools system for the professional studio
The most comprehensive system of its kind, Pro Tools|HD offers audio professionals superb quality and efficiency through one intuitive, integrated production environment. This high-definition system embodies the latest Digidesign innovations, incorporating cutting-edge technology to deliver unprecedented sonic fidelity and price/performance.
Featuring dramatic DSP power, comprehensive sample rate support, brand new high-resolution audio interfaces and peripheral options, abundant track count and I/O capacity, extensive routing flexibility, and much more, Pro Tools|HD gives you control over your audio production world like never before.
With an intuitive software interface, the most sophisticated dedicated hardware ever and the processing power of the host computer, Pro Tools|HD sets a new standard for power and flexibility. Every aspect of this world-class system is designed to empower you to take projects from concept to completion within a single, integrated environment.
Pro Tools|HD systems are available in three expandable core configurations: Pro Tools|HD 1, HD 2 and HD 3. Pro Tools|HD 2 includes the HD Core card and an additional HD Process™ PCI card, offering more than double the mixing and processing power of HD 1 systems, support for 64 channels of I/O, and up to 128 simultaneous audio tracks.
All three core Pro Tools|HD systems require at least one HD audio interface — 192 I/O™ or 96 I/O™ — to facilitate I/O functionality. 192 I/O is the best sounding audio interface ever offered from Digidesign, rivaling interfaces costing more than twice its price. Along with its outstanding sonic specs (including support for sample rates up to 192 kHz), 192 I/O features an additional I/O option bay, allowing the addition of more inputs or outputs, and making it one of the most unique and flexible audio interfaces on the market. 96 I/O offers Pro Tools users a high-resolution, multi-channel audio interface with excellent sonic performance (including support for sample rates up to 96 kHz) at a remarkable price.
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System 6000 used on Star Wars: Episode II Attack of the Clones the actual environment. It provides a realistic cathedral, forest, street scene, etc." Michael recalls using "Big E Slap" for various tasks as well. Dialogue stems were recorded using Pro Tools at eit
Studio Recording Basics
Studio drums sample cd-rom for Battery tom kits and five chromatic snare kits. These sounds cover a wide variety of musical styles like Pop, Rock, Jazz and more.
Up to 16 velocity layers per drum (separate for left and right hand)
System 6000 featured on MATRIX RELOADED he full range of the score as well. Ben and Don also scored the edge-of your-seat "Burly Brawl", an excellent blend of the two composers styles. Along with "Burly Brawl" Watkins supplied 2 additional
System 6000 version 3.0 adding Reverb 6000 capabilities free of charge upgrades, adding all Reverb 6000 capabilities to their System free of charge.
Version 3.0 includes: * De-Esser * Intersample Peak Limiter * EMT 250 * 16 Mono Reverbs * 24 Tap
Studio Network Solutionsˇ¦ A/V SAN PRO at Angel Mountain Production & Sound The Allman Brothersˇ¦ ˇ§Eat a Peachˇ¨ and ˇ§Live at the Fillmore East.ˇ¨ The next project, which is set to begin shortly, is Bob Marleyˇ¦s ˇ§Burninˇ¦.ˇ¨
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